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He obeyed, talking whimsically to his pets as he went. “That’s no giant. She isn’t bigger’n a kid. Will she let you come to play? The Gang’s coming to-morrow.” “Yes indeed,” laughed Mrs. Wopp, who was just then entering the room with a platter of bacon and eggs, “Betty’s our mornin’-glory girl shore nuff, she’s first up in the mornin’, she’s a glory little urchin an’ she’s our little girl to stay.”.

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“I don’t know what’s the matter,—I’m drowned, I guess.” His teeth rattled, and the hand he put out to her was icy cold. The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. By this time Mr. Wopp was bearing a length of pipe into the yard. The parlor looked like a morgue with its inanimate objects lying bidden under sheets and cloths of varying degrees of past usefulness. Through a hole of one sheet could be seen the listless towzled head of Hannah, her faded wax countenance betraying the need of a tonic. “Huh!” grunted Moses, “your ole turkey aint worth an eyestrain.”.